Renowned VFX supervisor David Prescott, talks to us while at Trojan Horse was a Unicorn.
We chat with Tim Miller, co-founder of Blur, and Director of the upcoming feature film Deadpool
We talk to Scott DeWoody and Alan Robles at Gensler about what technology has to offer for the future of architecture design.
We talk to Kevin Baillie about Atomic Fiction, The Walk, and rendering on the cloud with V-Ray for Katana.
Justin Denton is a director and vfx supervisor specializing in VR content.
Fully Integrated Ray Traced Rendering Now Available for The Foundry's Industry-Standard Compositing Tool
Justin Denton talks about how Legend 3D started to make VR content in both live action and CG.
Today, Chaos Group announces the immediate availability of V-Ray 3.1 for Maya.
Today, we announce the immediate availability of V-Ray 3.1 for Maya.
VR Installations Include Legend3D’s Project for “Crimson Peak”; V-Ray Days’ Return Features Method Studios, Atomic Fiction, and Ruairi Robinson
While working on CONSTRUCT, Kevin Margo decided to experiment with the new stereo 6 x 1 cube maps for VR.
São Paulo-based studio StratoStorm used Corona to produce over 50 CGI shots for an optical illusion-inspired Panic! At The Disco music video for their song “Hallelujah”. Check out StratoStorm’s impressions on working with Corona!
We talk to Dan Roarty about his career in games, digital portraiture, and the Digital Human League