Blur convincingly digitizes Angela Bassett for this game teaser.
Plastic Wax creates plastic Padawans in this playful promo.
It’s Batman vs Superman vs Wonder Woman vs Flash vs Aquaman vs Godzilla. OK, maybe not Godzilla.
MPC Creative drives into tomorrow with its spot for Faraday Future.
How the effects company reinvented San Francisco and New York for Ridley Scott's Amazon TV series.
Nick Kaloterakis on his high-tech 3D illustrations for National Geographic, NY Times and Wired.
Tristan Salome and Matthieu Labeau of Nozon talk about creating VR pre-rendered content with 6 degrees of freedom with Presenz and V-Ray
We dive into virtual reality with Curiscope’s Ben Kidd to discuss this breathtaking sharks project.
Bjorn Blaaberg Sorensen explains how his team created a ghoulish claymation aesthetic for this student film.
Christopher Nichols talks VR and Environments for CGW's March / April issue.
How V-Ray has helped this Australian architectural visualization company create amazing pics and flicks.
Chaos Group, CL3VER, IrisVR and Avail jointly collect prestigious prize.
How Saatchi & Saatchi is the driving force behind car advertisements
Do androids dream of not picking up trash?
INK's incredible art shows that Rado’s luxury wristwatches really are tough as nails.
We speak to Andreas Feix and Francesco Faranna, the brilliant minds behind this VES award winning graduation film.
OkDraw worked on every part of this project, from the architectural design through to the promotional renders. They shared the details of each step giving a unique insight into every phase of a project!
Daniel Thron and Chris talk about the Mad Max series, Australian New Wave, the power of editing, and VR.
The good, the bad, and the ugly meet in the trailer for one of the year's most tantalizing games.
This globetrotting artist shows us that there’s more than one way to skin a cat in her iconic work for the
THU Tribe competition.