Levelling cities: The character designer and concept artist who went from poor to Portal.

How SoA went from five guys in a room to one of the world’s most revered arch viz institutes.

Try exciting new features before anyone else.

Experience the future of Rhino today.

We take a closer look at the Glossy Fresnel effect that will be added to to upcoming V-Ray service packs

How architecture is moving into exciting new spaces.

400+ photoreal materials at your fingertips

Chris talks to the rebels who transformed VFX in movies.

Boulder Media is a Dublin-based animation studio, who have been using Corona Renderer exclusively for the BAFTA-nominated Go Jetters children’s animated series on the BBC. We spoke with Lighting Supervisor Paul Sheehy to learn about the company and the series!

Wikihuman project looks at using the alSurface shader on the new Digital Mike data.

The human side of the man who created cinema’s scariest monsters.

Two tools to view your stereo cubemaps in VR

How V-Ray 3.4 brings realistic metallic and glistening surfaces to life.

We’re pleased to unveil Corona Renderer 1.5 for Autodesk 3ds Max!

The inspirational story of an Oscar-winning director.

Breathing life into the show's ferocious fire-breathing CG beasts.

FX Guide article on V-Ray's stochastic flakes

We talk to visualization director Knut Ramstad about this exciting company and its work on the world’s busiest airport.

V-Ray's implementation of the Anders Langlands' alSurface shader

Chris meets a Renaissance man who’s travelled the world.

Medical imaging clashes with sci-fi in Alexey Kashpersky’s weird and wonderful close-ups.

Over the years, there have been many debates about whether biased or unbiased rendering is better.

An epic follow-up to the incredible Smite trailer.

We talk to a 3ds Max expert who’s hot off the press.