We take a deeper look at how to output the Active Shade VFB from V-Ray 3.5 for 3ds Max into a VR headset.

Celebratory 100th episode with legendary directors Tim Miller and Joseph Kosinski.

Building businesses with a true legend of the world of architecture.

In short, resumable rendering is the ability to have incomplete renders resume where they left off.

From thespians to digital humans: The importance of real actors in CGI.

Behind the scenes of internet content with an illustrious VFX writer.

Disney Research parametrically constructs eyes based on simple data

Understanding Adaptive Lights

Apocalypse Now: Mikki Willis on life, art and broken iPods.

Levelling cities: The character designer and concept artist who went from poor to Portal.

We take a closer look at the Glossy Fresnel effect that will be added to to upcoming V-Ray service packs

How architecture is moving into exciting new spaces.

Chris talks to the rebels who transformed VFX in movies.

Wikihuman project looks at using the alSurface shader on the new Digital Mike data.

The human side of the man who created cinema’s scariest monsters.

Two tools to view your stereo cubemaps in VR

The inspirational story of an Oscar-winning director.

FX Guide article on V-Ray's stochastic flakes

V-Ray's implementation of the Anders Langlands' alSurface shader

Chris meets a Renaissance man who’s travelled the world.

Over the years, there have been many debates about whether biased or unbiased rendering is better.

We talk to a 3ds Max expert who’s hot off the press.

One of the biggest names in the industry talks cloud computing and robot horses.

Going beyond guns and zombies with the director taking VR to the next level.