In this episode, Richard Crudo, the cinematographer, and Esther Woodworth, the 1st Assistant Camera for the Ray Tracing FTW short film, share their journey working on the groundbreaking project. We take a deep dive into the dynamics of the camera crew, exploring how different departments like lighting and grip collaborate to bring a director’s vision to life. Esther provides insight into her passion for cameras, and the duo sheds light on their roles and teamwork on set.
Richard and Esther discuss their approach to shooting Ray Tracing FTW, detailing their experience working with LED volumes to seamlessly blend live-action with digital environments. They also talk about using the ARRI Alexa 35 paired with vintage Panavision lenses to create a classic 1970s film look while leveraging the flexibility and precision of modern technology. Throughout the conversation, they reflect on the balance of creativity and technical expertise and share their favorite moments from filming the short. This is a must-listen episode for anyone wanting to get a better idea of the right way to shoot ICVFX.
Links:
0:05:43 How Esther and Richard started working together
0:08:59 Working with the ARRI Alexa 35
0:14:39 Vintage Panavision Lenses for a Classic Look
0:19:04 Shooting with LED Volumes and Real-time Environments
0:24:29 Creating the 1970s Film Look
0:28:54 Handling the Transition from Film to Digital
0:35:49 Managing the Technical Aspects of Modern Cinematography
0:41:34 The Creative Process & Team Collaboration
0:48:09 Post-Production & Color Grading for Consistency
0:53:39 Balancing Foreground and Background for Realism
0:57:49 Wrapping Up & Reflections on ICVFX Techniques