Andrea Blasich’s love of sculpting began on the beaches of southern Italy and it’s taken him all the way to Hollywood, where his talents have been put to use on movies including Spider-Man: Into the Spider-Verse, Brave and Ice Age 2: The Meltdown. In this podcast, recorded at THU, he explains why time-honored techniques are still relevant in digital pipelines.
Andrea sheds light on his working process, which involves using clay in combination with 3D scanners and 3D printers to create and modify his work. He offers his thoughts on ZBrush and VR sculpting tools, talks about his experiences working on games such as The Witness and BioShock 2, and details the complexities of sculpting lips, kilts — and Mickey Mouse.
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