Talk like an Egyptian: Arch viz star on his stunning renders for Zaha Hadid, KPF, MVRDV and more.
“Portrait of Cassidy” is CG artist Ian Spriggs’ latest digital portrait. Listen to find out how he created this and many of his other masterpieces.
We explain the differences between NVIDIA's AI denoiser and V-Ray Next's own denoiser. We explain how ours allows for proper compositing and temporal denoising.
Legendary Croatian arch viz firm Studio Niskota is no more — but something bigger and better is in the pipeline. Founders Dean and Hrvoje tell Chris what’s next.
The partnership between Corona and V-Ray is starting to bear photorealistic fruit. Find out how the companies are collaborating, and the exciting new features coming soon to Corona.
What can megabudget blockbusters learn from a 43-year-old movie about a rubber shark?
Digital Domain’s digital human experts discuss the incredible work which went into Avengers’ Thanos
After Black Panther and Ready Player One VFX supervisor tells you everything you need to know about working on set in the movies
The happy accidents which have made Substance software a dream for CG artists
Making 3D Worlds: multi-talented editor talks magazine publishing, events organization — and guitar building
Real-time engines and VR, it's not just for games anymore, it's actually for productivity. Just ask the guys at Unity and Oculus Medium
The man behind V-Ray’s super simple cloud rendering tells Chris how it was done
Do androids dream of electric sheep? Chris and Dan pore over seminal sci-fi sequel of Blade Runner
Another Dimension: How Adobe’s V-Ray powered 3D software is revolutionizing workflows, embracing machine learning, and democratizing the industry
How can we make sense of virtual worlds? And which tools can we use to create them? A filmmaker-turned-lecturer and three guests from Oculus and Google offer their thoughts.
© Ian SpriggsA deeper look at the new hair shader in V-Ray next. It describes how to understand the shader in a more physiological way, then takes you through the steps of setting one up for Look development including using V-Ray GPU in IPR rendering.
World building - the storytelling process every 3D artist and designer should build into their work.
Chris, Dan, and Justin find common ground in the second part of their epic Star Wars discussion
Behind the scenes of Black Panther, Fast & Furious 8, and Beauty and the Beast with this on-set data integration lead
