In this flashback episode, directors Doug Trumbull, Joe Kosinski, and Tim Miller talk about getting “Brainstorm,” “Tron: Legacy,” and “Deadpool” off the ground.

Chaos Product Managers Alex Yolov and Gosho Genchev on how MaterialX has been added to V-Ray for Maya and Houdini, and what it means for artists and workflows.

Creating “The Creator:” esteemed VFX Producer Julian Levi reveals how Gareth Edwards’ talents as a director came to light while making this gritty sci-fi epic.

Chaos Corona product manager Tom Grimes talks about what makes the renderer popular among archviz artists and reveals some of the features in the pipeline.

Former Hollywood VFX producer Tram Le-Jones on how she’s improving workflows and making artists’ and producers’ lives easier with Backlight’s ftrack software.

From pitchviz to previz, techviz, and postviz: Halon Entertainment’s Casey Pyke on the technology that plans movies including “The Batman” and “John Wick 4”.

Renowned cinematographer and director Richard Crudo shares his story, from humble beginnings to serving as president of the American Society of Cinematographers.

CG veteran Paolo Berto Durante talks about his long-standing computer graphics journey, his company J CUBE’s amazing CG tools, and AI's impact on creativity.

VES winner Robert Moggach has crafted epic visuals for Moby and Muse music vids, big brand ads, and movies such as “Harry Potter” and “I, Robot.” Hear his story.

Caught an ad on Instagram or YouTube recently? There’s a chance it was made by Vikkal Parikh’s Ataboy Studios, the hugely creative force that specializes in six-second ads that make you laugh and sell a product.

Director and USC professor Ben Hansford shares his thoughts on how AI will lead to incredible new cinematic experiences from a fresh generation of filmmakers.

Begin 2024 the right way with this positive podcast about how creatives can turn an ever-changing world into an exciting wonderland of opportunity and joy.

Rising YouTube star and VFX supervisor Jonas Ussing returns to talk about how he’s shining a light on the CG artists and studios omitted from movie credits.

Building Scope City: Automotive photography expert Faruk Heplevent on founding The Scope and creating a revolutionary new tool for customizable urban backdrops.

From flying logos to winning Oscars: SideFX’s Kim Davidson talks about how the company developed Houdini and became an important player in VFX.

Joe Letteri, the Academy Award-winning VFX supervisor behind “Avatar: Way of the Water,” talks about his career and reveals how new tech is changing the industry.

A life in movies: Elemental director opens up about telling his personal story through a Pixar animation, and reveals the difficulties of working with water and fire.

“Spider-Man: Across The Spider-Verse” director on how making series including “Avatar: The Last Airbender” helped him find the human heart in animated stories.

Illumination's “Migration” director Benjamin Renner shares his journey from 2D animation in France to 3D in Hollywood, and reveals what it’s like to direct a big movie.

“Cyberpunk 2077: Phantom Liberty” music video director Michał Misiński talks about blending CG with the real world, shooting cars, and working with Ash Thorp.

Kyle Balda reveals his journey to directing “Minions: The Rise of Gru” and “Despicable Me 3,” and sheds light on Illumination Entertainment’s creative process.

A fresh perspective: “Spider-Man 2” and “Avengers” artist Ryan Woodward reveals how he works hard without burning out, and discusses his approach to storytelling.

The astonishingly talented screenwriter behind “Perfect Blue” and “Steamboy” shares his thoughts on Japanese storytelling and its relationship with the West.

Google brand expert and storytelling expert Cláudia Cristovão tells Chris how lessons learned from an ancient art apply to artists working in the modern world.

Head writer, director, and producer on HBO’s “Insecure” reveals how she got her dream job, and gives her thoughts on how auteurs and AI are shifting content.