As with the rest of the reissue catalogue, these two LPs match perfectly; both are simply packed with the most cloying songs and banal productions of the band's entire career up to that point. "Hey, Little Tomboy," "Bells of Paris," "My Diane," "Match Point of Our Love," "Lady Lynda," "Sumahama" — these songs don't fail because of boring melodies or poor vocals (though some are), but laughable, childish lyric-writing and themes. (The cover of "Shortenin' Bread" fits right in.) L.A. (Light Album) just barely gets the nod over its predecessor, mostly because the lyrics aren't quite as trite, and there's a bit more variety to the productions — yes, the infamous disco production "Here Comes the Night" is present, sounding downright adventurous in context.
24-bit remastered.

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